


Charlem agne’s Approach R eported to Baligant- Laisse 227 (verses 3 12 1- 3 13 6 ) 38. Charlem agne R eturns to R on cevau x- Laisses 2 0 3 2 13 (verses 2845-2973) 35.

Baligant at Saragossa- Laisses 19 9 -20 2 (verses 2 7 6 5 2844) 34. M arsile at Saragossa- Laisses 18 7 - 19 1 (verses 2 57 0 2645) 30. T he Death o f R o lan d - Laisses 17 4 -17 6 (verses 2 3 5 5 2396) 27. R olan d Attem pts to D estroy D urendal- Laisses 1 7 1 - 1 7 3 (verses 2297-2354), 26. T he R ash Saracen- Laisses 16 8 -17 0 (verses ) 25. The Death o f T urpin- Laisses 16 5 -16 7 (verses 2 2 2 2 2258) 24. T he R eargu ard ’s Stand at an End- Laisses 14 0 -15 5 (verses 18 5 1-2 0 9 8 ) 22. Charlem agne to the R escue- Laisses 13 6 - 13 9 (verses 179 6 -18 50 ) 2 1. R olan d Sounds the O liphant- Laisses 13 3 -135 (verses I 753- I 795) 20. T he Battlefield Debate Resum ed- Laisses 12 7 - 13 2 (verses 16 7 1-17 5 2 ) 19. Further French Trium phs- Laisses 1 0 5 - 1 1 0 (verses 13 3 8 -14 3 7 ) 17. T he Prebattle Debate- Laisses 8 3-9 2 (verses 10 4 9 118 7 ) 15. T he French Prepare for Battle- Laisses 79 -8 2 (verses 994-1048) 14. R olan d N am ed to Com m and the R earguard- Laisses 58-68 (verses 737-859) 12. Charlem agne’s First Dream s- Laisses 5 6 -5 7 (verses 7 17 -7 3 6 ) 1 1. Ganelon at M arsile’s C ou rt- Laisses 3 1- 4 5 (verses 4 0 2602) 8. T he R id e to Saragossa- Laisses 2 8 -30 (verses 36 6 -40 1) 7. T he French C oun cil, Part 2- Laisses 17 - 2 7 (verses 24 4 365) 6. T he French C ouncil, Part 1 - Laisses 1 1 - 1 6 (verses 15 7 243) 5. M arsile’s O ffer D elivered to Charlem agne- Laisses 8 - 10 (verses 9 6 -15 6 )Ĥ. T he Saracen C oun cil- Laisses 2 - 7 (verses 10 -9 5) 3. A Historiated Initial- Laisse 1 (verses 1-9 ) 2. T he H istorical Event Legend, Poem, and T ext R ecent Scholarship on the Song of Roland Turoldus and His W orld T he Church and the Arts Popular Tradition Learned Tradition R ealism, Idealism, and the Epic U niverse A m biguity and Logic Som e Exegetical Guideposts T he M eaning o f the Song of Roland Literature T hrough A rt: Iconographie Form ulas and Transpositions Structure Them atic U n ity M etaphorical Consistency Landscape Tone N arrative D evices and Techniques Character Portrayal R h yth m O ral Interpretation : The Gestural Script Introduction and Commentary Acknow ledgm ents Forew ord Abbreviations and Frequently C ited W orks I. P Q 152 1.E 5B 7 1978 8 4 1'.! 77-22946 ISB N 6-5 Copyright © 1978 The Pennsylvania State University All rights reserved Designed by Glenn R u b y Printed in the United States o f AmericaĬontents Volume I. Library o f Congress Cataloging in Publication Data Chanson de Roland. THE PEN N SY LV A N IA STA TE U N IV E R SIT Y PR ESS U N IV E R S IT Y P A R K A N D LO N D O N Published in 1978 in commemoration o f the twelfth centenary o f the Battle o f Roncevaux The Execution of Ganelon and His Kinsmen Laisses 288-289 (verses 3947-3974) Charlemagne Duels Baligant to the DeathĤ7. Baligant at Saragossa Laisses igg-202 (verses 2765-2844)ģ7- Charlemagne's Approach Reported to Baligant Laisse 227 (verses 3121-3136)Ĥ2. Mar site's Offer Delivered to Charlemagne Laisses 8-1o (verses 96-156)ġ1. Literature Through Art: Iconographic Formulas and TranspositionsĢ1. Realism, Idealism, and the Epic Universeġ2. Recent Scholarship on the Song of RolandĨ.
